Digital Twin of a Design Academy: Preserving Exhibitions through Gaussian Splatting
未来设计学院的数字孪生：以高斯泼贱技术保存展览
Unlike traditional photogrammetry or 3D modeling, Gaussian Splatting transforms visual data into volumetric particles that preserve fine light, texture, and depth details. Every exhibited work, lighting change, and audience movement is recorded as part of a flowing digital archive, allowing the exhibition to exist beyond its physical boundaries.
The resulting digital twin enables viewers to revisit the exhibition in immersive virtual space—blurring the line between the real and the digital. It opens new possibilities for digital preservation, educational research, and curatorial innovation, turning ephemeral exhibitions into enduring cultural experiences.
This work demonstrates how emerging technologies can extend the life of design education and cultural communication—redefining how we record, remember, and interact with spaces of creativity.
不同于传统的摄影测量或三维建模方式，高斯泼贱技术将视觉数据转化为具有体积属性的粒子，使空间重建同时具备影像的细腻度与模型的深度感。展览中的每一件作品、光线变化乃至观众的动态都被完整捕捉，形成一种“可流动的数字档案”。
生成的 数字孪生空间 使观众能够在虚拟环境中自由漫游，重新体验展览现场，模糊现实与数字的界限。项目探索了设计教育与文化传播在数字时代的新可能，使展览在结束后仍能以另一种形式被观看、研究与延续。
该项目展示了新兴技术如何延展设计教育的生命力，促进文化的长期保存与共享，从而重新定义我们记录、记忆与体验创意空间的方式。
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